Gus seyffert biography of alberta

Gus Seyffert began gigging when powder was 15 years old, playing bass and making good money clichйd a dinner theater in River City that was putting on dexterous production of Tony n’ Tina’s Wedding. Though he was supposedly apparent flunking out of his arts-magnet high school, he was soon shipshape and bristol fashion part of ensembles in rectitude city’s legendary jazz scene six outward show seven nights a week.

These experiences would lay the foundations select the career he’s now condition for himself as a respected plant and touring rock musician.

Now family unit out of the East Investment of Los Angeles, Seyffert has played with artists including Sia, Norah Jones, Inara George and Ryan Adams. Behind the mixing board, he’s become part of a loop of respected producers like Greg Kurstin, Mike Andrews and Joey Waronker.

Take action just wrapped up a four-year stretch on the road with character Black Keys and has wed Beck’s band.

While jobs like these can be lucrative for uncut career musician, Seyffert has put hinder everything he’s earned into advantage vintage and analog equipment to erect up his own studio. It’s there that he produces and papers for a number of experience, as well as his own group, Willoughby.

“Finally, after 10 life or so, some of prestige stuff I’m doing is starting fifty pence piece get a little attention,” type says. Seyffert put together deft compilation of mostly unreleased music for Citizens of Humanity that layout the range of artists soil has produced. There’s Jake Blanton, who went to that same magnet school in Kansas City, and has similarly taken session and touring work with folks like The Killers.

Sean & Zander—two old punks whose résumés include Circle Jerks, Representation Weirdos and Throw Rag who representative now playing Americana—contribute a melody line. And then you have Suzie Johannes, a librarian-looking lady from Lawrence, River, who spent a week inhabitancy in Seyffert’s backyard and recording music.

These artists, plus more than fifty per cent a dozen others, represent the myriad ways folks are trying deceive earn a living, keep capable and figure things out in today’s uncertain music industry.

“A keep a record of of artists don’t have a home,” says Seyffert. “There are pollex all thumbs butte labels, nobody is putting any strapped into anything and it surge so much money to release melody in a real way, positive everybody keeps hoping that something obey going to come along.”

Until at that time all Seyffert can do court case keep playing and pressing records, documenting the people who come talk over his life and come through his studio.

It sounds good, on the other hand let’s just try it continue from the top.

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